Baroque Period Music Essay Questions

Baroque music Essay

607 Words3 Pages

The Music of the Baroque Era
The style of polyphonic music containing elaborate ornamentation and contrasting elements, that is how Baroque music is defined. The Baroque era was a kind of transitional era in art and music. The Renaissance means rebirth and is typically regarded as such. The Baroque era in music is not a set style in music but many diverse styles which may be broken down into at least three distinct periods. A renewed interest in art and music was experienced throughout the Renaissance which then led to the Baroque era which was more of a transitional stage leading up to the maturity of classical music in the Classical era which began as Baroque ended. (Howard n. pag.)
The origins of the word Baroque itself is as obscure…show more content…

The Baroque style music was voices only. It was sung in a cappella, a choral style music with only singing and no instruments. If instruments happened to be used, it only imitated the melody of the voices. It would not pick up its only melody or tune. The Baroque style music brought up more than just choir singing. It introduced soloists. When solo music was sung, this brought up the idea of thoroughbass. Which is a bass part was assigned to the singing (Arnold 174).
The term Baroque, no matter which definition you choose to accept, really does not fit the entire period to which the name is applied. It could certainly be applied to certain times during the period but not to the entire 150-year range that it has been described as covering. This was certainly an important era in the history and growth of musical styles lending tonality and monadic styles that are still present in music today. Definitions of specific time periods in music really only assist us in tracking the changes of form, style, and historical significance of each era and are not so important in giving an accurate description of the music of the times. Although, when looked at objectively, the word Baroque could be seen as accurately describing the period because of its unusual diversity or irregularity of music style.

Works Cited

Arnold, Denis, ed. The New Oxford Companion to Music. 2 vols. New York: Oxford UP,

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