Beispieltexte Essays

Essays - Texte

Ich schreibe Essays und Texte über Kunst und (Natur-)Wissenschaft. Mich interessieren aktuelle Forschungen und Erkenntnisse der Neuro- und Kognitionswissenschaften, der Philosophie des Geistes, der Wissenschaftsphilosophie, der Künstliche Intelligenz-Forschung und der Quantenphysik sowie anderen Bereichen aus einer interdisziplinären Perspektive, welche in meine Texte einfliessen können. Die Texte auf dieser Seite sind Beispiele.

Texte über Kunst und Wissenschaft

Sind Sie als Künstler oder Künstlerin an einer kunsttheoretischen / essayistischen Aufarbeitung Ihrer Arbeit interessiert? Ich ich gerne bereit mit Ihnen über Ihre künstlerische und wissenschaftliche Arbeit ein Gespräch zu führen und unterbreite Ihnen eine unverbindliche und faire Offerte.

Fragen? Rufen Sie mich an oder schreiben Sie eine E-Mail.Kontaktdaten.


Aus den folgenden Texten (Auswahl) darf im Rahmen akademischer Konventionen zitiert werden. Sie dürfen für den persönlichen Gebrauch heruntergeladen, jedoch nicht ohne meine Erlaubnis publiziert werden (z.B. via E-Mail, Mailinglisten, Newsletter, Internetforen oder Webseiten etc.).

- “Das Rätsel des menschlichen Bewusstseins - The Enigma of Human Consciousness”, Einführung Programm, 12. Schweizer Biennale zu Wissenschaft, Technik + Ästhetik, Verkehrshaus der Schweiz (2018).
- “Das Rätsel des menschlichen Bewusstseins - The Enigma of Human Consciousness”, Einführung Programm, 11. Schweizer Biennale zu Wissenschaft, Technik + Ästhetik, Verkehrshaus der Schweiz (2016).
- “Das Loch durch den Gotthard im Zeitalter zunehmender ökologischer Risiken und Gefahren”(2015).
- “Die Verwirklichung von kulturellen Möglichkeiten in Form von Bildern: Matthias Zimmermanns Bilderzyklus Die Raummaschine (2012 – 2013)” (2014). Via Universitätsbibliothek Heidelberg.












- Laudatio anlässlich der Eröffnung der Ausstellung Bild und Bilder von Dora Wespi, Kornschütte Luzern (2014).
- “Die Veränderung sein, die wir in der Welt sehen wollen”, Einführung Programm, 10. Schweizer Biennale zu Wissenschaft, Technik + Ästhetik, Verkehrshaus der Schweiz (2014).
- “Die Verbindung von Wissen, Erfahrung und Anschauung – Zur Epistemologie von Matthias Zimmermanns ‘Modell-Welten’” (2012). Via Universitätsbibliothek Heidelberg.
- “Die Neuentdeckung alter Plakate hinter kühnen Pinselstrichen”, In: Tower Revue, Switzerland, St. Moritz, Badrutt’s Palace, 18, S. 32-36 (2011).
- “Das Grosse, das Kleine und der menschliche Geist”, Einführung Programm, 8. Schweizer Biennale zu Wissenschaft, Technik + Ästhetik, Verkehrshaus der Schweiz (2010).
- Vorwort in: “Zu einer neuen Quantenphysik des Bewusstseins – Gespräche an den Grenzen der Erkenntnis”. Stettler, R. (Hrsg.) Autoren: Ascott, R., Bertlmann, R., Gabriel, U., von Glasersfeld, E., Hameroff, S., Luna, L. E., Mitterer, J., Penrose, R., Rössler, O. E., Zeilinger, A., Weibel, P. Luzern: Edition Neue Galerie Luzern. S. 9-19 (2009).
- “Die Entdeckung des Gleichen im Anderen: Zur Rolle von Bewusstsein und visueller Analogie in Verena Vanolis multimedialer Installation ‘Hörst Du das Gras wachsen?’” Katalogtext, Eigenverlag der Künstlerin, Immensee (2010).
- “Is There an Ecosemiotic Perspective for Today’s Heterogeneous Knowledges in the Global Culture Industry?”. In: Ascott, R., Bast, G., Fiel, W., Jahrmann, M., Schnell, R. (Eds.) New Realities: Being Syncretic. Vienna New York: Springer. S. 276-279 (2009).












- “Die unvollständige Durchschaubarkeit und Nachbildbarkeit der Phänomene – Zur Epistemologie von Alois Lichtsteiners Birken- und Bergbildern”, In: Alois Lichtsteiner – Monographie, Verlag Galerie Kornfeld Bern. S. 82-86 (2007).  The Incomplete Transparency and Reproducibility of Phenomena - On the Epistemology of Alois Lichtsteiner's Birch and Mountain Paintings (2007).
- “Bewusstsein und Quantencomputer”, Einführung Programm, 7. Schweizer Biennale zu Wissenschaft, Technik + Ästhetik, Verkehrshaus der Schweiz (2007).
- “Mind, Matter, and Quantum Mechanics: Towards a New Conceptual Theoretical Framework”, In: Technoetic Arts 3:2, S. 125-132 (2005).
- “Bewusstsein und Teleportation”, Einführung Programm, 6. Schweizer Biennale zu Wissenschaft, Technik + Ästhetik, Verkehrshaus der Schweiz (2005).

neu erstellt 2017

Have something to say?

When it comes to expressing your thoughts in French, there’s nothing better than the essay.

It is, after all, the favorite form of such famed French thinkers as Montaigne, Chateaubriand, Houellebecq and Simone de Beauvoir.

But writing an essay in French is not the same as those typical 5-paragraph essays you’ve probably written in English.

In fact, there’s a whole other logic that has to be used to ensure that your essay meets French format standards and structure. It’s not merely writing your ideas in another language.

And that’s because the French use Cartesian logic, developed by René Descartes, which requires a writer to begin with what is known and then lead the reader through to the logical conclusion: a paragraph that contains the thesis.

Sound intriguing? The French essay will soon have no secrets from you!

We’ve outlined the four most common types of essays in French, ranked from easiest to most difficult, to help you get to know this concept better. Even if you’re not headed to a French high school or university, it’s still pretty interesting to learn about another culture’s basic essay!
 

 

Must-have French Phrases for Writing Essays

Before we get to the four types of essays, here are a few French phrases that will be especially helpful as you delve into essay-writing in French:

Introductory phrases, which help you present new ideas.

  • tout d’abord– firstly
  • premièrement– firstly

Connecting phrases, which help you connect ideas and sections.

  • et – and
  • de plus – in addition
  • également – also
  • ensuite – next
  • deuxièmement– secondly
  • or – so
  • ainsi que – as well as
  • lorsque– when, while

Contrasting phrases, which help you juxtapose two ideas.

  • en revanche– on the other hand
  • pourtant – however
  • néanmoins– meanwhile, however

Concluding phrases, which help you to introduce your conclusion.

  • enfin– finally
  • finalement– finally
  • pour conclure – to conclude
  • en conclusion – in conclusion

4 Types of French Essays and How to Write Them

1. Text Summary (Synthèse de texte)

The text summary or synthèse de texte is one of the easiest French writing exercises to get a handle on. It essentially involves reading a text and then summarizing it in an established number of words, while repeating no phrases that are in the original text. No analysis is called for.

synthèse de texte should follow the same format as the text that is being synthesized. The arguments should be presented in the same way, and no major element of the original text should be left out of the synthèse.

Here is a great guide to writing a successful synthèse de texte, written for French speakers.

The text summary is a great exercise for exploring the following French language elements:

  • Synonyms, as you will need to find other words to describe what is said in the original text.
  • Nominalization, which involves turning verbs into nouns and generally cuts down on word count.
  • Vocabulary, as the knowledge of more exact terms will allow you to avoid periphrases and cut down on word count.

While beginners may wish to work with only one text, advanced learners can synthesize as many as three texts in one text summary. The concours exam for entry into the École Supérieure de Commerce de Paris calls for a 300-word synthesis of three texts, ranging from 750 to 1500 words, with a tolerance of more or less 10 percent.

Since a text summary is simple in its essence, it’s a great writing exercise that can accompany you through your entire learning process.

2. Text Commentary (Commentaire de texte)

A text commentary or commentaire de texteis the first writing exercise where the student is asked to present analysis of the materials at hand, not just a summary.

That said, a commentaire de texte is not a reaction piece. It involves a very delicate balance of summary and opinion, the latter of which must be presented as impersonally as possible. This can be done either by using the third person (on) or the general first person plural (nous). The singular first person (je) should never be used in a commentaire de texte.

A commentaire de texte should be written in three parts:

  • An introduction, where the text is presented.
  • An argument, where the text is analyzed.
  • A conclusion, where the analysis is summarized and elevated.

Here is a handy guide to writing a successful commentaire de texte, written for French speakers.

Unlike with the synthesis, you will not be able to address all elements of a text in a commentary. You should not summarize the text in a commentary, at least not for the sake of summarizing. Every element of the text that you speak about in your commentary must be analyzed.

To successfully analyze a text, you will need to brush up on your figurative language. Here are some great resources to get you started:

  • This guide, intended for high school students preparing for the BAC—the exam all French high school students take, which they’re required to pass to go to university—is great for learning how to integrate figurative language into your commentaries.

3. Dialectic Dissertation (Thèse, Antithèse, Synthèse)

The French answer to the 5-paragraph essay is known as the dissertationLike the American 5-paragraph essay, it has an introduction, body paragraphs and a conclusion. The stream of logic, however, is distinct.

There are actually two kinds of dissertation, each of which has its own rules.

The first form of dissertation is the dialectic dissertation, better known as thèse, antithèse, synthèse. In this form, there are actually only two body paragraphs. After the introduction, a thesis is posited. Following the thesis, its opposite, the antithesis, is explored (and hopefully, debunked). The final paragraph, what we know as the conclusion, is the synthesis, which addresses the strengths of the thesis, the strengths and weaknesses of the antithesis, and concludes with the reasons why the original thesis is correct.

For example, imagine that the question was, “Are computers useful to the development of the human brain?” You could begin with a section showing the ways in which computers are useful for the progression of our common intelligence—doing long calculations, creating in-depth models, etc.

Then you would delve into the problems that computers pose to human intelligence, citing examples of the ways in which spelling proficiency has decreased since the invention of spell check, for example. Finally you would synthesize this information and conclude that the “pro” outweighs the “con.”

The key to success with this format is developing an outline before writing. The thesis must be established, with examples, and the antithesis must be supported as well. When all of the information has been organized in the outline, the writing can begin, supported by the tools you have learned from your mastery of the synthesis and commentary.

Here are a few tools to help you get writing:

4. Progressive Dissertation (Plan progressif)

The progressive dissertation is a slightly less common, but no less useful, than the first form.

The progressive form basically consists of examining an idea via multiple points of view—a sort of deepening of the understanding of the notion, starting with a superficial perspective and ending with a deep and profound analysis.

If the dialectic dissertation is like a scale, weighing pros and cons of an idea, the progressive dissertation is like peeling an onion, uncovering more and more layers as you get to the deeper crux of the idea.

Concretely, this means that you will generally follow this layout:

  • A first, elementary exploration of the idea.
  • A second, more philosophical exploration of the idea.
  • A third, more transcendent exploration of the idea.

This format for the dissertation is more commonly used for essays that are written in response to a philosophical question, for example, “What is a person?” or “What is justice?”

Let’s say the question were, “What is war?” In the first part, you would explore dictionary definitions—a basic idea of war, i.e. an armed conflict between two parties, usually nations. You could give examples that back up this definition, and you could narrow down the definition of the subject as much as needed. For example, you might want to make mention that not all conflicts are wars, or you might want to explore whether the “War on Terror” is a war.

In the second part, you would explore a more philosophical look at the topic, using a definition that you provide. You first explain how you plan to analyze the subject, and then you do so. In French, this is known as poser une problématique (establishing a thesis question), and it usually is done by first writing out a question and then exploring it using examples: “Is war a reflection of the base predilection of humans for violence?”

In the third part, you will take a step back and explore this question from a distance, taking the time to construct a natural conclusion and answer for the question.

This form may not be as useful in as many cases as the first type of essay, but it’s a good form to learn, particularly for those interested in philosophy.

Here are a few resources to help you with your progressive dissertation:

As you progress in French and become more and more comfortable with writing, try your hand at each of these types of writing exercises, and even with other forms of the dissertation. You’ll soon be a pro at everything from a synthèse de texte to a dissertation!
 

 

And One More Thing…

Of course, French is a lot more than writing essays.

To cover all your other language bases, there’s always FluentU.

FluentU lets you learn French from real-world content like music videos, commercials, news broadcasts, cartoons and inspiring talks.

Since this video content is stuff that native French speakers actually watch on the regular, you’ll get the opportunity to learn real French—the way it’s spoken in modern life.

One quick look will give you an idea of the diverse content found on FluentU:

Love the thought of learning French with native materials but afraid you won’t understand what’s being said? FluentU brings authentic French videos within reach of any learner. Interactive captions will guide you along the way, so you’ll never miss a word.

Tap on any word to see a definition, in-context usage examples, audio pronunciation, helpful images and more. For example, if you tap on the word “suit,” then this is what appears on your screen:

Don’t stop there, though. Use FluentU’s learn mode to actively practice all the vocabulary in any video with vocabulary lists, flashcards, quizzes and fun activities like “fill in the blank.”

As you continue advancing in your French studies, FluentU keeps track of all the grammar and vocabulary that you’ve been learning. It uses your viewed videos and mastered language lessons to recommend more useful videos and give you a 100% personalized experience. 

Start using FluentU on the website with your computer or tablet or, better yet, download the FluentU app from the iTunes store.

If you liked this post, something tells me that you'll love FluentU, the best way to learn French with real-world videos.

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